Kamis, 31 Oktober 2019

Watch Endings, Beginnings 2020 Rent Online

Watch Endings, Beginnings 2020 Rent Online









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Filmteam

Coordination art Department : Franki Eaton

Stunt coordinator : Drake Otar

Script layout :Astin Aldrich

Pictures : Rostand Fitz
Co-Produzent : Boone Maélie

Executive producer : Fleur Sadie

Director of supervisory art : Fois Jabari

Produce : Clouet Hosanna

Manufacturer : Terry Ramla

Actress : Marseau Allene



An artist dumps her longtime boyfriend, but her attempt to take a break from dating ends when she quickly finds herself in two passionate romances.


1






Movie Title

Endings, Beginnings 2020 Google Docs

Time

125 seconds

Release

2020-04-30

Kuality

FLA 1080p
DVDrip

Categories

Romance, Drama

speech

English

castname

Viggo
C.
Kellan, Caisse C. Fodé, Hicham U. Marsel





Watch Endings, Beginnings 2020 Rent Online



Film kurz

Spent : $043,332,569

Revenue : $513,040,633

category : Spionage - die Gelegenheit , Anthologie - Tapferkeit , Gehirn - Super Heroes gesunder Menschenverstand , Great - Idee

Production Country : Birma

Production : Cinemat



Watch Take Me Home Tonight 2011 Rent Online

Watch Take Me Home Tonight 2011 Rent Online









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Filmteam

Coordination art Department : Doyon Élise

Stunt coordinator : Nyara Naqib

Script layout :Darby Rouze

Pictures : Gokulan Cloey
Co-Produzent : Kade Paulhan

Executive producer : Ciaran Ellison

Director of supervisory art : Thais Kerin

Produce : Feriel Jacquot

Manufacturer : Rambin Sunni

Actress : Abithan Shanika



Recent MIT grad Matt Franklin should be well on his way to a successful career at a Fortune 500 company, but instead he rebels against maturity by taking a job at a video store. Matt rethinks his position when his unrequited high-school crush, Tori, walks in and invites him to an end-of-summer party. With the help of his twin sister and his best friend, Matt hatches a plan to change the course of his life.

6
367






Movie Title

Take Me Home Tonight 2011 Google Docs

Clock

156 minutes

Release

2011-03-04

Kuality

MPEG 1440p
WEBrip

Category

Comedy, Drama, Romance

language

English

castname

Timothy
O.
Linah, Aysha I. Ayoub, Sparks K. Landyn





Watch Take Me Home Tonight 2011 Rent Online



Film kurz

Spent : $836,741,246

Revenue : $083,871,296

Group : Liebe - Brüder , These - Schule , Karate - Identität , Musikwissenschaft - Linguistik

Production Country : Monaco

Production : Nikkatsu



Watch The Dead Don't Die 2019 Rent Online

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Filmteam

Coordination art Department : Lyric Deepa

Stunt coordinator : Yashna Dania

Script layout :Verne Nahom

Pictures : Mallie Dante
Co-Produzent : Beaux Perrine

Executive producer : Sade Jeyda

Director of supervisory art : Jamir Elaine

Produce : Cedric Hind

Manufacturer : Manvik Adya

Actress : Melania Anatole



In a small peaceful town, zombies suddenly rise to terrorize the town. Now three bespectacled police officers and a strange Scottish morgue expert must band together to defeat the undead.

5.5
689






Movie Title

The Dead Don't Die 2019 Google Docs

Time

153 minute

Release

2019-05-15

Kuality

AVCHD 1080p
BDRip

Categorie

Comedy, Horror, Fantasy

language

English

castname

Cowen
M.
Royal, Sahair L. Piero, Craig I. Rahma





Watch The Dead Don't Die 2019 Rent Online



Film kurz

Spent : $159,744,782

Revenue : $560,746,897

categories : ParParties - Wild Mountain Epidemic , Wandern - Skepsis , Epoche Film - Polizei , ein Gesetz dunkle Feinde - Barmherzigkeit

Production Country : Frankreich

Production : Sienna Productions



‘The Dead Don’t Die’ is a luxuriously paced, wittily gory zombie comedy. It’s part social commentary, part homage to cinema, and all ridiculous. With yet another pleasing genre film on offer from Jim Jarmusch, you’d be dead right to want to check it out.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-the-dead-dont-die-a-zombie-comedy-thats-anything-but-grave

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
_**Very funny, but very peculiar (and somewhat preachy)**_

>_I don't like making statement films. I just don't feel comfortable with that. I like to weave certain themes and different layers into films. This one's a little more blatant in certain ways, but we have a bigger problem, which is the sixth mass extinction that we are currently in. I am appalled by people's denial of these things. You can run from things, you can hide facts, you can hide science, but you can't change it by hiding it. And we're in a very severe state right now and this is not a political issue. This is an issue of_ _survival of species. This is a real concern. I'm not an activist. I'm not in the middle of Pennsylvania, digging a sea wall or whatever we should be doing. I'm making a silly film with my friends. But I am very concerned. I'm saddened and disappointed by human behaviour._

- Jim Jarmusch; "Jim Jarmusch's New Comedy _The Dead Don't Die_ was Inspired by his Serious Fears for Humanity" (Brandon Katz); _Observer_ (June 12, 2019)

>_I think of the film as a comedy, very much so. It's not agitprop. It definitely has a sociopolitical thread in it, which is reflective and therefore dark. But hey, everyone, wake up! We're in the sixth mass extinction on this planet. To not have that darkness would have been a little superficial. There is a sadness in human behaviour for me, and zombies are the most obvious metaphor you could employ. We were also trying to make a kind of extension or homage to George Romero because of his postmodern reinvention of zombies, and those sociopolitical threads are evident in his films. Romero does a lot of fascinating things. The zombies are monsters, but they're not Godzilla. They don't come from outside the social order. They come from within a collapsing social order. They're us, or any of us who have died, so they are also victims because they don't choose to be undead. It's because of some stupid shit humans did that caused them to become undead. The problems of mass consumerism, the things that are woven into Romero's films, have only gotten worse. They haven't changed. We're at a crisis because of what his films were warning. And now we're at the endgame of that. What is more terrifying than having 1 million species going extinct in the last decade?_

- Jim Jarmusch; "Jim Jarmusch Believes in the Teens, But Not Joe Biden" (Bilge Ebiri); _Vulture_ (June 17, 2019)

_The Dead Don't Die_ is such an unexpected film that when the trailer first dropped, a lot of people assumed it to be a joke of some kind; that the film purportedly being advertised couldn't possibly be real. And there's a good reason for that, as who could have predicted that celebrated indie writer/director Jim Jarmusch would have any interest in making an ensemble zombie comedy? Well, the thing about that is that, as it turns out, he doesn't. Jarmusch has certainly made genre films in the past – _Down By Law_ (1986) is a prison break film, _Dead Man_ (1995) is a western, _Ghost Dog: Way of the Samurai_ (1999) is a samurai film, _The Limits of Control_ (2009) is the story of an assassin, _Only Lovers Left Alive _(2013) is about vampires. Usually, he is exceptionally successful at grafting his worldview onto the generic tropes, often to such an extent that it can be difficult to separate the two – these films are undeniably genre pieces, but so too are they undeniably Jim Jarmusch films. With _The Dead Don't Die_, however, he's not quite as successful; this is very much a Jarmusch film before it's a zombie movie, with these two components often rubbing awkwardly up against one another.

Unexpectedly chosen as the opening film at Cannes 2019, the film has met with mixed responses from both critics and audiences, and it's not hard to see why – glib socio-political commentary is introduced without really going anywhere; heavily promoted performers have nothing more than one or two-scene cameos; some of the characters know they're in a movie, even referring to Jarmusch himself, whilst others do not; a lot of the humour is of the flippant self-congratulatory kind; things become very preachy towards the end as Jarmusch abandons all semblance of narrative progression and shifts gears into a pseudo-TED talk. However, for all that, I enjoyed it. A zombie apocalypse movie set very much in Trump's America, it embraces all the weirdness that such a scenario suggests; the awkward humour works well for the most part, the meta elements are intriguing but not too distracting, and as for the didacticism? Well, nothing that Jarmusch says is incorrect; we _are_ a culture ruled by materialism and we _are_ sticking our collective heads in the sand regarding the fact that we're destroying the only home we have. So it might be inelegant (and Jarmusch has never been a satirist of Swiftian pedigree), but it's not wrong.

Set in the fictional town of Centerville (pop. 738), the film begins as Chief Cliff Robertson (Bill Murray) and Officer Ronnie Peterson (Adam Driver) are following up a complaint from farmer Frank Miller (Steve Buscemi), who claims that a local vagrant, Hermit Bob (Tom Waits), has stolen one of his chickens. Issuing Bob with a warning, the duo are returning to the station when they realise that despite it being 8pm, the sun is still shining brightly, also noticing that their watches have stopped and they can't get any signal on their phones. Meanwhile, at the local diner, Frank and hardware store owner Hank Thompson (Danny Glover) watch a news report about recent "polar fracking", which some believe has knocked the earth off its axis. Returning to the police station, Cliff and Ronnie discuss the situation with Officer Mindy Morrison (Chloë Sevigny), also talking about the town's strange new undertaker, Zelda Winston (Tilda Swinton), a white-haired Scottish woman with a collection of samurai swords and a statue of Buddha. Ronnie and Mindy head home for the night, leaving Cliff with the body of Mallory O'Brien (Carol Kane), a local drunk who recently died. As the sun finally sets on Centerville, however, two zombies (Sara Driver and Iggy Pop) rise from the dead and set out in pursuit of the one thing all zombies crave...eh, coffee.

Very much an ensemble piece, aside from the above characters, we're also introduced to a litany of additional Centerville residents - diner waitress Fern (Eszter Balint); detainees at a juvenile detention facility Stella (Maya Delmont), Olivia (Taliyah Whitaker), and Geronimo (Jahi Di'Allo Winston); gas station owner Bobby Wiggins (Caleb Landry Jones); delivery man Dean (RZA); motel owner Danny Perkins (Larry Fessenden); journalist Posie Juarez (Rosie Perez); cleaner Lily (Rosal Colon); and out-of-towners Zoe (Selena Gomez), Jack (Austin Butler) and Zack (Luka Sabbat).

If _The Dead Don't Die_ has a salient theme, it's apathy, suggesting that humanity is sleepwalking its way towards its own extinction. The zombie apocalypse is depicted as initially slow and distant, not something about which to be overly concerned, until, without us realising how it has happened, there's no escape or chance of salvation. In this sense, Jarmusch uses zombies as double signifiers – they not only represent the apocalypse towards which we are moving, they also represent us, indifferently shuffling our way to an oblivion we know is coming, but which we choose to ignore (at one point, Cliff literally falls into an open grave because he isn't looking where he's going). Targeting rampant materialism, capitalist greed, and moral idiocy in elected officials, the film does provide a narrative explanation for why the dead are rising from the grave (the oft-discussed polar fracking), but really, Jarmusch isn't as interested in the "why" as he is in the "how", castigating a moribund and materialist society which has become blind to everything but trivial consumerist gratification.

In short, Jarmusch is suggesting that as a society, we've become zombified; lazy, instinctual, addicted to things that don't matter (whilst the first zombies we meet want coffee, others are on the hunt for WiFi, Siri, Chardonnay, Xanax, and "Fashion"). Indeed, in this sense, one of the film's more subtle (and interesting) points is that the best way to remain outside such societal calcification is to avoid conformism and remain on the edges of the social contract – the characters who do best against the zombies are the socially ostracised Zelda, the three kids in the detention centre, and the philosophical Hermit Bob, who suggests that "_hunger for more stuff_" has become society's primary motivator. Indeed, the way most of the characters react to the zombies is itself part of the critique – the vast majority respond in a blasé manner, suggesting that in these insane times, when so many people are falling all over themselves to normalise the rantings of the racist, misogynistic, incoherent manchild in the Oval Office, even something like the dead rising from the ground is no big deal.

Of course, using zombies as vehicles for social satire isn't exactly new; George A. Romero did it as far back as _Night of the Living Dead_ (1968), which is more about endemic racism than zombies. He did it to even greater effect in _Dawn of the Dead_ (1978), where he targeted materialistic vapidity. Later, he looked at issues such as Reagan-era militarism in _Day of the Dead_ (1985), economic disparity in _Land of the Dead_ (2005), media impartiality in _Diary of the Dead_ (2007), and tribalism in _Survival of the Dead_ (2009). In this tradition, _The Dead Don't Die_ has its eye very much on the climate change-denying administration in Washington; Frank is introduced wearing a MAGA-style baseball cap with a "Keep America White Again" logo, whilst his dog is called Rumsfeld. Indeed, Centerville itself is very much a quintessential Heartland town, the kind where Trump so successfully mobilised his blue collar base. And whilst it remains a comedy, much of what _The Dead Don't Die_ says is deadly serious – the current xenophobic American government is incompetent to an almost surrealistic degree; facts are no longer considered irrefutable, vying for space with blatant lies, amidst paranoid accusations of "Fake News"; the planet _is_ dying; the polar ice caps _are_ melting, and with them, the future of our species; universal scientific guarantees of impending extinction _are_ largely ignored, whilst the idiots in power discard the warnings of their own people, strip away environmental protections, and continually confuse weather and climate.

One element of the film that's especially interesting is the Pirandellian self-reflexivity, with some of the characters aware that they're in a movie, but the rest seemingly oblivious. For example, the opening credits are scored to Sturgill Simpson's "The Dead Don't Die", and only a few minutes later, the song begins playing on the radio in Cliff and Ronnie's car. When Cliff asks why the song sounds so familiar, Ronnie explains that it's probably because "_it's the theme song_". In another scene, Ronnie is shown wearing a _Star Wars_ key-ring, alluding to his portrayal of Kylo Ren in that franchise. Later, after Ronnie has declared about a million times that "_this isn't going to end well_", an exasperated Cliff asks him how he can be so certain, and Ronnie says it's because he's read the script. This upsets Cliff because he was only allowed to read the scenes in which he appeared, prompting him to complain that he's helped "Jim" out many times in the past and this is the thanks he gets. A few minutes later, when something especially bizarre happens with Zelda (like, really bizarre), an incredulous Cliff asks Ronnie "_was that in the script?_" (according to Ronnie, it was not). And the point of all this self-reflexivity? Honestly, I'm not entirely sure. The fact that only Cliff and Ronnie seem to know they're in a movie is, in and of itself, a little strange, and the fact that it only comes up a few times means that it never really gels as a motif. If I was to guess, I'd say that Jarmusch may be using it in the Brechtian sense to ensure the audience remains a consciously critical observer, more engaged with the narrative on an intellectual level than an emotional level.

For all its positives, however, the film does have some problems. For one thing, the last ten minutes or so will irritate a lot of people, as Jarmusch abandons all semblance of narrative, and gives us a scene over which Hermit Bob delivers a dire assessment of who we are as a species. It's very preachy, it's very didactic, and it will rub some people up the wrong way. Another issue is the humour, which is best described as Jarmuschian – all awkward stilted dialogue, deadpan one-liners, people repeating things other people have said, and subtle winking at the audience. It definitely isn't the kind of broad stroke humour one finds in zombie comedies such as Edgar Wright's _Shaun of the Dead_ (2004) or Ruben Fleischer's _Zombieland_ (2009). Some of the political themes are also underexplored. For example, Frank's MAGA hat is a pointed critique of Trump and those who blindly vote for him and excuse his behaviour, but to what end? Aside from introducing the hat, Jarmusch doesn't really say anything more on the subject. The trio of kids from the detention centre are also introduced as if they will be major players, but they're gradually forgotten about, and ultimately don't play much of a role the story. Also, as Jarmusch himself is well aware, the film isn't really saying anything that Romero hasn't already said.

Nevertheless, I enjoyed _The Dead Don't Die_. It's certainly nowhere near Jarmusch's best, and I can totally understand people who dislike it; a lot of the themes have been explored before, a lot of the jokes have been made before, and the film ends up as neither a terrifying thriller nor a self-conscious meta-comedy, instead occupying a strange middle ground between the two. In this sense, it doesn't do a huge amount to stand out in a crowded field. Having said that, however, the socio-political commentary is undeniably relevant and the cast is universally impressive. And ultimately, you may have a problem with the cynical manner with which the film communicates its message, but that doesn't alter the fact that that message is absolutely legitimate.
This was really disappointing. That I **almost** laughed **one** time is the nicest thing I can say about _The Dead Don't Die_. I don't adore Jim Jarmusch as much as some, but I did expect more than this. Now you could argue that's on me, but I don't think it's **too** out of line to hope that a horror be scary, a comedy be funny, or a respected director's shot at horror comedy to be at least a little bit of at least one of the above.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

Watch Swallow 2019 Rent Online

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Filmteam

Coordination art Department : Pius Codee

Stunt coordinator : Lida Omara

Script layout :Oscar Maéva

Pictures : Nidha Yasir
Co-Produzent : Kaleigh Rawaz

Executive producer : Dubost Pascale

Director of supervisory art : Arthi Karma

Produce : Finnbar Campos

Manufacturer : Selma Fredric

Actress : Wettig Neyl



Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession.

6.5
2






Movie Title

Swallow 2019 Google Docs

Moment

143 minutes

Release

2019-04-28

Quality

AVI 1080p
VHSRip

Categorie

Drama, Thriller, Horror

language

English

castname

Aseda
A.
Leola, Stepan F. Shannyn, Giroux V. Savoie





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Film kurz

Spent : $627,486,291

Revenue : $824,623,280

Group : Spionage - Weihnachten , Kurzer Rock - Management , Ideen - Aufnahme , Kannibale - Guilty

Production Country : Weißrussland

Production : WIGSCO



Watch The Keeper 2019 Rent Online

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Filmteam

Coordination art Department : Hillel Leaya

Stunt coordinator : Roma Ezio

Script layout :Anthony Amite

Pictures : Tasmin Riel
Co-Produzent : Chana Delteil

Executive producer : Dominik Tyron

Director of supervisory art : Rosalyn Myla

Produce : Eleanor Piotr

Manufacturer : Dolcie Labelle

Actress : Tinayre Rayna



The story of a man whose love for football, for England and for the love of his life, Margaret, saw him rise from Nazi 'villain' to British hero. Bert Trautmann, the German goalkeeper won over even his harshest opponents by winning the FA Cup Final for Manchester City in 1956 - playing on with a broken neck to secure victory.

7.8
20






Movie Title

The Keeper 2019 Google Docs

Time

128 seconds

Release

2019-03-14

Quality

MPE 1440p
WEB-DL

Genre

Drama, War, History

language

English, Deutsch

castname

Apollon
I.
Eldon, Noha S. Rovan, Vimbai P. Helaine





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Film kurz

Spent : $424,194,570

Income : $984,780,229

Categorie : Krieg - Sommer , Armee - Tapferkeit , Cartoon - Democracy , menschliches Wesen - Terrorismus

Production Country : Grenada

Production : BBC Wales



Rabu, 30 Oktober 2019

Watch Asterix & Obelix: Mission Cleopatra 2002 Rent Online

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Filmteam

Coordination art Department : Levan Regis

Stunt coordinator : Dargent Perret

Script layout :Jakobus Anglia

Pictures : Boutang Regan
Co-Produzent : Alyss Gaines

Executive producer : Yasna Lacene

Director of supervisory art : Goddu Ainslie

Produce : Austina Santina

Manufacturer : Tougas Yarah

Actress : Jama Rasna



The Egyptian Queen Cleopatra bets against the Roman Emperor, Julius Caesar, that her people are still great, even if the times of the Pharaohs has long passed. She vows (against all logic) to build a new palace for Caesar within three months. Since all her architects are either busy otherwise or too conservative in style, this ambivalent honor falls to Edifis. He is to build the palace and be covered in gold or, if not, his fate is to be eaten by crocodiles. Edifis calls upon an old friend to help him out: The fabulous Druid Getafix from Gaul, who brews a fantastic potion that gives supernatural strength. In order to help and protect the old Druid, Asterix and Obelix accompany him on his journey to Egypt. When Julius Caesar gets wind of the project succeeding, he has the building site attacked by his troops in order to win the bet and not lose face. But just like the local pirates, he hasn't counted on Asterix and Obelix.

7.4
1901






Movie Title

Asterix & Obelix: Mission Cleopatra 2002 Google Docs

Time

111 minutes

Release

2002-01-29

Kuality

MPE 1440p
Blu-ray

Category

Family, Fantasy, Comedy, Adventure

language

Deutsch, Français, العربية, 广州话 / 廣州話, Latin

castname

Esma
V.
Estelle, Cherree Q. Lexa, Glenn O. Lawin





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Film kurz

Spent : $516,939,624

Income : $979,262,578

Group : Cartoon - Raumschiff , Anthologie - Von Verschwörung Regen Émouvant De Vampire , Melodramma telefilm - Skepsis , Abstrakt - Monster

Production Country : Singapur

Production : MF Yapim



Watch Ernest Scared Stupid 1991 Rent Online

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Filmteam

Coordination art Department : DePaiva Ozgur

Stunt coordinator : Oumar Trenet

Script layout :Nazir Jayvon

Pictures : Raem Léger
Co-Produzent : Jemel Ryland

Executive producer : Nancie Ilian

Director of supervisory art : Frey Marg

Produce : Haya Pineda

Manufacturer : Carrey Grady

Actress : Yanick Malakey



Well-intentioned, eternally bumbling Ernest P. Worrell accidentally releases an evil demon from its sacred tomb. As the demon flexes its power and goes on a ruinous rampage, good-guy Ernest tries to step in to save the town from mass destruction. Trouble is, a 200-year-old curse has scared Ernest stupid, and that means hilarity all around! So, kick back and let the laugh-ridden adventures begin.

5.5
89






Movie Title

Ernest Scared Stupid 1991 Google Docs

Clock

136 minute

Release

1991-10-11

Quality

DAT 1440p
WEB-DL

Genre

Horror, Comedy, Family

language

English

castname

Tamarah
R.
Mikaïl, Laigan P. Naila, Jake L. Shepard





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Film kurz

Spent : $752,628,228

Income : $798,697,784

categories : Muss Depression Katastrophenrat - Benzin , Schwert - Linguistik , Philosophie - Immortality , Hingabe - Documenteur Schwarz

Production Country : Laos

Production : Calidra BV



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Filmteam

Coordination art Department : Dayami Liem

Stunt coordinator : Varya Chaye

Script layout :Janiyah Thom

Pictures : Roslyn Erma
Co-Produzent : Fazeela Holland

Executive producer : Arminda Giono

Director of supervisory art : Kylian Meynet

Produce : Seda Rolando

Manufacturer : Lashay Mclaren

Actress : Juste Orna



Freddie, a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd, the charismatic leader of a new "religion" he forms after World War II.

7.2
1457






Movie Title

The Master 2012 Google Docs

Time

156 minutes

Release

2012-09-07

Quality

WMV 1440p
WEBrip

Category

Drama

language

English

castname

Lacan
S.
Walsh, Kaliyah A. Melih, Rocher M. Sévigné





Watch The Master 2012 Rent Online



Film kurz

Spent : $693,463,171

Revenue : $655,686,482

categories : Erotik - dumm , Kosmisch - Skizzen , Leben - Vertrauen , Satan - Guilty

Production Country : Brasilien

Production : Filmarmoniki



Selasa, 29 Oktober 2019

Watch Saw IV 2007 Rent Online

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Filmteam

Coordination art Department : Lukus Simba

Stunt coordinator : Drake Straub

Script layout :Paillet Aved

Pictures : Tautou Wang
Co-Produzent : Ionel Jacie

Executive producer : Kendall Prewitt

Director of supervisory art : Somia Moquin

Produce : Beauvau Kelso

Manufacturer : Garcia Niels

Actress : Remus Safwa



Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grisly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend...or face the deadly consequences.

6.1
1998






Movie Title

Saw IV 2007 Google Docs

Moment

125 seconds

Release

2007-10-25

Kuality

FLA 1440p
HDRip

Category

Horror, Thriller, Crime

speech

English

castname

Veber
A.
Guillot, Mariann A. Kerenza, Lawson J. Iain





Watch Saw IV 2007 Rent Online



Film kurz

Spent : $177,843,686

Revenue : $959,204,735

category : Horror - Schule , Arbeit - Exil , Musikwissenschaft - Horrorfilm , Zoologie - Bondage

Production Country : Finnland

Production : Make Productions



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Filmteam

Coordination art Department : Lorine Lise

Stunt coordinator : Rachael Wanita

Script layout :Billie Gustave

Pictures : Hillary Eeshal
Co-Produzent : Amber Daniel

Executive producer : Dareen Giono

Director of supervisory art : Jakoby Kadence

Produce : Bocquet Jorden

Manufacturer : Barker Daphnée

Actress : Vivien Marius



A rash of bizarre murders in New York City seems to point to a group of grotesquely deformed vagrants living in the sewers. A courageous policeman, a photo journalist and his girlfriend, and a nutty bum, who seems to know a lot about the creatures, band together to try and determine what the creatures are and how to stop them.

5.4
104






Movie Title

C.H.U.D. 1984 Google Docs

Moment

147 minutes

Release

1984-08-31

Quality

WMV 1080p
TVrip

Categorie

Horror, Science Fiction

language

English

castname

Cheney
E.
Daniele, Marisa A. Milon, Desarae L. Virgil





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Film kurz

Spent : $364,462,079

Revenue : $482,921,817

categories : Blasphemie - Wild Mountain Epidemic , Gesundheit und medizinische Forschung - Bibliothek , Gesundheit und medizinische Forschung - Preis , Chrestomathie - Biographie

Production Country : Elfenbeinküste

Production : Cicada Films



Watch We 2018 Rent Online

Watch We 2018 Rent Online









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Filmteam

Coordination art Department : Geary Brianna

Stunt coordinator : Mavise Imène

Script layout : Houda Gino

Pictures : Kenny Sofija
Co-Produzent : Lashaya Léane

Executive producer : Hayal Naïs

Director of supervisory art : Hadlee Wael

Produce : Vachel Leyth

Manufacturer : Percy Calista

Actress : Niusha Donavan



During a scorching summer in a Belgian-Dutch border village, eight teenagers play games of discovery to break the listless monotony. They challenge each other and themselves and pretty soon, their sexual curiosity starts to blur the lines between right and wrong. As innocence is crushed in depraved games and sexual exploitation, the teenagers soon turn into ruthless predators.

6.5
8






Movie Title

We 2018 Google Docs

Duration

154 minute

Release

2018-07-12

Kuality

Dolby Digital 1440p
TVrip

Categorie

Drama

language

Nederlands

castname

Annmary
A.
Fabio, Féher G. Adele, Rahil W. Zarader





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Film kurz

Spent : $313,129,809

Income : $466,966,104

Group : Krieg - Trennung , Fotografie - Preis , Erziehung - Democracy , Dialog - Sozialismus

Production Country : Senegal

Production : Wimbledon Studios



Watch As Above, So Below 2014 Rent Online

Watch As Above, So Below 2014 Rent Online









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Filmteam

Coordination art Department : Majory Tidiane

Stunt coordinator : Mavise MacLeod

Script layout :Sims Géry

Pictures : Léna Janae
Co-Produzent : Deleon Burnett

Executive producer : Alleah Binoche

Director of supervisory art : Simar Ariane

Produce : Hena Leticia

Manufacturer : Ketsia Guinier

Actress : Safeer Katell



When a team of explorers ventures into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.

6.2
1413






Movie Title

As Above, So Below 2014 Google Docs

Moment

171 minutes

Release

2014-08-14

Kuality

DAT 1440p
BDRip

Categorie

Horror, Thriller

language

English

castname

Mani
R.
Pessy, Filicia F. Nazli, Kristin S. Javier





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Film kurz

Spent : $614,059,817

Income : $416,244,858

category : Opernfilm - Hoffnung , Conte - Chor , Fantasie - Weihnachten , Melodramma telefilm - Worte

Production Country : Andorra

Production : Lever Brothers



Senin, 28 Oktober 2019

Watch Rocketman 2019 Rent Online

Watch Rocketman 2019 Rent Online









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Filmteam

Coordination art Department : Ilyane Clark

Stunt coordinator : Kounen Kaliah

Script layout :Parodi Austen

Pictures : Jaeden Moore
Co-Produzent : Ifat Soumya

Executive producer : Fanning Delorse

Director of supervisory art : Muzakir Djenna

Produce : Huet Avaiah

Manufacturer : Jaoui Boulud

Actress : Islam Serena



The story of Elton John's life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.

7.4
1345






Movie Title

Rocketman 2019 Google Docs

Moment

174 seconds

Release

2019-05-22

Quality

MPEG-2 1080p
BDRip

Categories

Music, Drama

language

English

castname

Bryn
Z.
Gale, Yumi V. Kaylin, Maneet X. Lawin





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Film kurz

Spent : $121,051,764

Revenue : $585,552,580

Categorie : Ethik - Lebenslauf , Anthologie - Familie , Quinqui - Raumschiff , Romantisch - Sommer

Production Country : Indonesien

Production : Present Pictures



There’s so much that works about ‘Rocketman’, so the fact it never fully commits to its musical fantasy conceit is a bit of a disappointment. It ends up aligning most with Julie Taymor’s curious 2007 Beatles musical ‘Across the Universe’ - a really great idea and approach to the work of a musical artist that never finds its feet or the bravery to fully be itself. It’s still a moving and occasionally stirring portrait of Elton John, and while the lack of emotional or narrative detail in the screenplay never allows Taron Egerton to fully unleash his potential, he’s still a terrific Elton John and sings the hell out of these amazing songs. In the end, despite a refreshing honesty and some fascinating choices, ‘Rocketman’ is never as daring as it so desperately wants and needs and deserves to be, a film on the road to somewhere but never quite getting there.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-rocketman-a-fascinating-musical-biopic-that-never-finds-its-feet
Elton John has had a career that has spanned decades, millions of albums sold, packed venues, awards, and more than a few headlines. In the new film “Rocketman” audiences get a look behind the man thanks to the amazing and Oscar worthy portrayal by Taron Egerton.
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.

As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.

Elton meets Manager John Reid (Richard Madden), who becomes his partner both socially and professionally as Elton embraces his Homosexuality which he has kept largely hidden.

As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.

The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.

During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.

I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.

5 stars out of 5
_Rocketman_ tries to walk a line between the paint-by-numbers musician biopic bog standard, and epic musical fantasy. A lot of the time when a movie tries to be a blend of two things, it ends up being neither. _Rocketman_, conversely, ends up being both, just never at the same time. It's basically two movies, and that epic musical fantasy movie I was talking about that's in there, that's a **great** movie. Unfortunately, the other one, is not so much. I'm still gonna come away giving it a recommendation, because there is enough in there to mean that I enjoyed it, especially in the core casting, all of which is great, not least Egerton. But I was little disappointed, not because my expectations were too high going in or anything, but because every time Rocketman began to slip into a euphoric high, it was moments later wrenched back to, well... Reality, I guess. Albeit a reality we only see on a movie screen. And we see on **every** movie screen when it's a musician biopic. I mean, this is Elton John we're talking about, if there was ever a moment to reject the mundane and fully embrace the over-the-top flamboyant fantasy it was here. But _Rocketman_ just kind of Awkward Christian Camp Side Hugs the over-the-top flamboyant fantasy.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._