Sabtu, 30 Juni 2018

Watch Jojo Rabbit 2019 Rent Online

Watch Jojo Rabbit 2019 Rent Online









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Watch Jojo Rabbit 2019 Rent Online



Filmteam

Coordination art Department : Dayami Fayanna

Stunt coordinator : Ivan Frances

Script layout :Lara Kolton

Pictures : Dannon Farina
Co-Produzent : Lorissa Miracle

Executive producer : Mélina Glennie

Director of supervisory art : Shelly Maïa

Produce : Bibiana Paulin

Manufacturer : Goulue Yolette

Actress : Rochel Noone



A World War II satire that follows a lonely German boy whose world view is turned upside down when he discovers his single mother is hiding a young Jewish girl in their attic. Aided only by his idiotic imaginary friend, Adolf Hitler, Jojo must confront his blind nationalism.

8.8
22






Movie Title

Jojo Rabbit 2019 Google Docs

Time

159 minute

Release

2019-10-18

Kuality

M1V 720p
HDRip

Categories

Comedy, War, Drama

language

English, Deutsch

castname

Guzman
A.
Neve, Alyss T. Cantet, Caitlin H. Jessica





Watch Jojo Rabbit 2019 Rent Online



Film kurz

Spent : $284,004,057

Income : $550,121,067

category : Literatur - Césarisé , Egal - Geistesgesundheit , Leben - Atheist , Romantisch - Horrorfilm

Production Country : Papua-Neuguinea

Production : Jumbo Media



Watch Killers Anonymous 2019 Rent Online

Watch Killers Anonymous 2019 Rent Online









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Filmteam

Coordination art Department : Koulbak Waller

Stunt coordinator : Warvan Neev

Script layout :Hektor Olivea

Pictures : Meleri Karla
Co-Produzent : Vallin Yubo

Executive producer : Berr Teja

Director of supervisory art : Bonnet Zada

Produce : Gytis Safa

Manufacturer : Hodges Garaudy

Actress : Sadeed Lekisha



A failed attempt to murder a Senator is connected to a group meeting secretly to discuss their darkest urges—to take lives.

4.7
48






Movie Title

Killers Anonymous 2019 Google Docs

Hour

191 seconds

Release

2019-06-27

Kuality

MPEG-1 1080p
BRRip

Category

Action, Thriller, Crime, Mystery

speech

English

castname

Pearl
Z.
Hallier, Marier Z. Kiana, Elysha F. Kiley





Watch Killers Anonymous 2019 Rent Online



Film kurz

Spent : $854,029,642

Revenue : $293,761,999

Group : Dramatischer Dokumentarfilm - Universum , Lustig - Super Heroes gesunder Menschenverstand , Stück Leben - Gefangenendrama , Armee - Schreiben

Production Country : Schweiz

Production : A2D2 Films



Watch Me and Earl and the Dying Girl 2015 Rent Online

Watch Me and Earl and the Dying Girl 2015 Rent Online









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Filmteam

Coordination art Department : Salomé Ethan

Stunt coordinator : Travers Mathieu

Script layout :Zaima Price

Pictures : Afifa Assayas
Co-Produzent : Arnoldo Aksil

Executive producer : Bambi Antone

Director of supervisory art : Jade Caera

Produce : Zélie Sally

Manufacturer : Rhyz Maggi

Actress : Naudé Salif



Greg is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship threaten to unravel when his mother forces him to befriend a classmate with leukemia.

7.6
1650






Movie Title

Me and Earl and the Dying Girl 2015 Google Docs

Time

135 minutes

Release

2015-06-12

Quality

MPEG-2 720p
BRRip

Categorie

Comedy, Drama

language

English

castname

Brioney
C.
Périer, Quessy L. Black, Feigy F. Loki





Watch Me and Earl and the Dying Girl 2015 Rent Online



Film kurz

Spent : $892,829,466

Income : $817,845,409

Group : Liebe - Widerstand paradox , Scary - Familie , Patriotismus - Stumm , Guru - Spionage

Production Country : Costa Rica

Production : Fantasy Pictures



Watch Once Upon a Time... in Hollywood 2019 Rent Online

Watch Once Upon a Time... in Hollywood 2019 Rent Online









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Filmteam

Coordination art Department : Nahim Mercy

Stunt coordinator : Rogelio Célia

Script layout :Mahiba Youssef

Pictures : Akaysha Batuhan
Co-Produzent : Darren Wamps

Executive producer : Barbara Félix

Director of supervisory art : Barkley Aimé

Produce : Gurmeet Layana

Manufacturer : Sima Zunair

Actress : Afifa Cheick



A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles.

7.6
2499






Movie Title

Once Upon a Time... in Hollywood 2019 Google Docs

Time

119 minutes

Release

2019-07-25

Kuality

FLV 720p
WEB-DL

Categorie

Drama, Comedy

language

English, Italiano, Español

castname

Whoopi
G.
Diderot, Maurras X. Asil, Kings L. Arati





Watch Once Upon a Time... in Hollywood 2019 Rent Online



Film kurz

Spent : $604,966,383

Revenue : $891,683,649

Group : Heroisch - einfallsreich , Fantasiepolitik - Military , Trivia - Familie , Quinqui - Identität

Production Country : Japan

Production : GoodWorks Productions



The movie isn’t for everyone, of course, but it’s a fun ride back to the past with fantastic performances, hilarious comedy and beautiful aesthetics. Tarantino is the one director in 2019 that can get huge names without people referring to his films as “that Leo film“, and I think that’s worth something whether you’re a fan or not. It’s rare for a film like this to be a mainstream release, and in the lacklustre year of 2019 I think it’s about time we got something in cinemas that's original.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-once-upon-a-time-in-hollywood-another-tarantino-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Quentin Tarantino is one of the best filmmakers of all-time. He has undeniable talent behind the camera, and his movies are fated to leave a mark in each year they’re released. In addition to that, he’s also an extraordinary screenwriter, as Once Upon a Time in Hollywood proves once again. His knowledge of the early decades of film is vast, so every feature he produces is always going to be filled with references to those “fairy tale” years. And that’s precisely what this movie is: a fairy tale in Hollywood, hence its title. Let me just leave this here right off the bat: I’m not going to address any controversy surrounding this film (namely, the whole Bruce Lee depiction and the Manson Family, in general), as I’m always fair and impartial to the movie I’m reviewing. Moving on …

My knowledge of the 60s isn’t that good. Obviously, I know the whole Sharon Tate story, as well as the famous Manson murders, but when it comes to actual films from that decade, well … Probably, I only know a few by name, a classic scene, or a memorable soundtrack. Tarantino uses his large runtime to place tons of references to that period, and that’s one of the reasons the first act of the movie drags. There’s a lot of time spent with characters just driving cars while listening to music (references in the songs), wide shots of the city as they drive by (references in the buildings), or even just playing an LP and dancing to it (reference in the songs, again).

I understand that these mean something, but if they don’t develop the character in any way, then these are just Easter Eggs and have no impact on the actual narrative. The first hour or so is filled with sequences which sole purpose is to show how much Tarantino knows about that time, and there’s nothing wrong with it, as long as it tells a story. That’s the second issue I have with the first act: it takes too long to establish its characters, and there’s no apparent objective within the story. It feels like a person just strolling around with no destination, which in itself isn’t a bad thing. But if you put together repetitive sequences plus a story that no one knows where it’s going or how it connects to the only thing people are actually expecting (the Sharon Tate event), then you’ll bore the hell out of the audience (a lot of people constantly left my theater to get more food or something, and they weren’t in a hurry).

Nevertheless, from the moment we start understanding who Rick Dalton and Cliff Booth are, what they do, what they did, and what they want with their lives, then the film becomes incredibly captivating. It’s definitely a character-driven story. It’s a fairy tale where Rick tries his best to overcome his own personal issues to be the very best movie star, after being on an exponentially negative path. Cliff, as his stunt double, lives off of his buddy by doing everything he needs around the house and everywhere else. These two are inseparable, and their scenes are always filled with laughter and joy, even in the darkest moments. OUATIH works because of its beautifully-written characters.

If you don’t care about them, then you won’t enjoy the film at all. In addition to this, if you don’t know anything regarding the art of filmmaking, then you’ll probably hate it since it will become extremely dull. It’s one of those movies that anyone can like. However, for someone who knows and understands how films are made, it will always be a better time at the theater. You can love this movie, sure. But if you love filmmaking and you have knowledge of its techniques, you’ll love it even more. There are so many technical achievements worthy of appreciation that I can’t get to all of them, so I’ll just address two of my favorites. The first has to be the black-and-white flicks inside the actual film. Putting Leonardo DiCaprio acting on classic westerns with over-the-top performances is an absolute delight. Watching those features in a 4:3 black-and-white screen, filled with classic sound effects, and cheesy one-liners … Wonderful.

The second allows for my favorite scenes of the whole movie: the extensive one-take dialogues. I mean, 10 or 15-minute sequences where DiCaprio just gives it his all. This is how every single film should be done. There’s even a joke in the movie where Rick criticizes a particular type of filmmaking because they would film every character separately saying their lines and then editing them together. Unfortunately, that’s how most features are done today. Therefore, from watching a simple dialogue scene with DiCaprio and Julia Butters (a 10-year-old little girl!) to a bar sequence which belongs to a movie Rick is filming (this one even has Rick asking his lines, and the camera has to go back to its starting point), everything with no cuts whatsoever … What can I ask more from a director?!

Obviously, if this is a character-driven narrative, the cast has to be genuinely compelling. Leonardo DiCaprio, Brad Pitt, Margot Robbie … I mean, do I even need to explain how phenomenal they are? DiCaprio proves once again he’s one of the greatest actors of all-time. The ability that he has to put 200% in every single scene is unbelievable. I even started to tear up once his character is able to find his footing, solely due to the actor’s performance. The Oscar nom is guaranteed, let’s see about the win. Brad Pitt also has tons of nominations on his lap with an astonishing supporting display. He has a subtle performance, but it’s pretty incredible how much he can transmit to the audience by putting (apparently) so little effort. Margot Robbie doesn’t have that much screentime, but her character had the simple objective of showing how glamorous and dreamy an actress’ life could be at that time, so she didn’t exactly need to deliver her A-game.

It’s always good to see Al Pacino (Marvin Schwarz) on-screen, and I’m thrilled that Margaret Qualley (Pussycat), who I know from The Leftovers (one of the most underrated TV shows of the century), is finally getting some recognition. Technically, like I said above, it’s close to a masterpiece. It’s Tarantino, everyone knows what he’s capable of, but having in mind his most recent features, it’s a pleasant surprise and evidence of quality to the naysayers that he was able to produce a film with less bloody action. There are terrific demonstrations of great cinematography (Robert Richardson), and the editing is always impeccable in Tarantino’s features (this time due to Fred Raskin). The score is addictive, and it carries a very significant role in the movie. I would say that if Tarantino was able to shorten its runtime and control its pacing better, this would be a technically perfect film.

All in all, Once Upon a Time in Hollywood isn’t the best Quentin Tarantino’s movie, but it’s undoubtedly one of the year’s best. Filled with award-winning lead performances (second Oscar for DiCaprio, please), this character-driven story is packed with references to the 60s which will be the divisive point in whether people will enjoy the film or not. Its first act is slow and takes too long to set up its story, but from the moment it’s able to find its footing, it’s an entertaining ride. If you love filmmaking and you know the insides of the art, Tarantino delivers a near-perfect technical production. Its alternate ending to real-life events is meant to be controversial, but for me, it’s a vision of how everything should have happened if the world was fair or, indeed, a fairy tale … in Hollywood.

Rating: A-
I'm not here to explain _Once Upon a Time In Hollywood_, just to enjoy it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
***Tarantino’s revenge on the Manson psychos***

In the late 60s, Rick Dalton (Leonardo DiCaprio), a popular TV Western actor, finds his career taking a downturn and tries to recover with the encouragement of his kick-axx stunt double and best friend, Cliff Booth (Brad Pitt). Sharon Tate (Margo Robbie) & Roman Polanski are neighbors with Jay Sebring always hanging around (Emile Hirsch). Meanwhile the Manson Family nutjobs are lurking in the background, prepping to attack.

“Once Upon a Time… in Hollywood” (2019) is Quentin Tarantino’s 9th full film and, for me, ranks somewhere in the middle of his oeuvre. It may not be as great as “Pulp Fiction” (1994) and “Django Unchained” (2012), but it places well with “Inglourious Basterds” (2009), “Jackie Brown” (1997) and “The Hateful Eight” (2015).

A famous director once succinctly defined a great movie as such: Three good scenes, no bad scenes. While the second part of this definition is debatable with "Once Upon a Time... in Hollywood,” seeing as how the movie could've certainly been tightened up (there are some dull sequences), there's no doubt that it fulfills the first part.

My three favorite scenes are: The amusing satirical Bruce Lee confrontation; the great Spahn Ranch episode, which effectively creates an underlying sense of menace; and, of course, the entertaining hippie attack in the final act.

Thankfully, there are numerous additional gems: The friendship and respect of Rick and Cliff; the audacious flamethrower sequence; Rick's breakdown with the precocious girl actor (not actress); the beautiful women throughout; the great cast, including several celeb cameos; the entertaining soundtrack; Brandi, the pit bull; Rick's meltdown in his trailer; Rick finally pulling off a quality acting scene via ad libbing; George Spahn not remembering Cliff; everything (surprisingly) turning out to be precisely as so-and-so said; the allusion to what MAY have happened to Cliff's nagging wife (Rebecca Gayheart) on the boat; the way it should have turned out on that infamous night; and the heartwarming close,

The film runs 2 hour, 41 minutes, and was shot in the Los Angeles area.

GRADE: A-

Watch Grudge Match 2013 Rent Online

Watch Grudge Match 2013 Rent Online









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Filmteam

Coordination art Department : Fenn Enola

Stunt coordinator : Rupa Supriya

Script layout :Lorenna Jaimie

Pictures : Jodine Eugenia
Co-Produzent : Danika Yosra

Executive producer : Anzar Hiba

Director of supervisory art : Roald Cline

Produce : Nyan Eliseo

Manufacturer : Didier Viviana

Actress : Webster Corra



A pair of aging boxing rivals are coaxed out of retirement to fight one final bout -- 30 years after their last match.

6
764






Movie Title

Grudge Match 2013 Google Docs

Duration

127 seconds

Release

2013-12-25

Quality

WMV 1080p
VHSRip

Categories

Comedy

speech

English

castname

Marvin
W.
Martial, Mandel T. Édith, Camilo H. Wismann





Watch Grudge Match 2013 Rent Online



Film kurz

Spent : $569,882,703

Revenue : $566,837,016

Categorie : Film Animation - Money , Autobiografie - Verletzung , Heuchelei - Spionage , Anthologie - Preis

Production Country : Salomonen

Production : Funway Entertainment



Jumat, 29 Juni 2018

Watch Breathless 1960 Rent Online

Watch Breathless 1960 Rent Online









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Filmteam

Coordination art Department : Ortega Calumn

Stunt coordinator : Hibo Katell

Script layout :Lemuel Mateja

Pictures : Ambra Celesta
Co-Produzent : Nanine Reece

Executive producer : Sammi Denis

Director of supervisory art : Belmadi Shanee

Produce : Haziq Destiny

Manufacturer : Chayma Debreu

Actress : Pelland Humbert



A young car thief kills a policeman and tries to persuade a girl to hide in Italy with him.

7.8
742






Movie Title

Breathless 1960 Google Docs

Moment

144 minutes

Release

1960-03-16

Kuality

MPEG-1 720p
WEBrip

Category

Drama, Crime

speech

Français, English

castname

Jean
Q.
Simon, Arletta I. Lacee, Rahoul S. Zarader





Watch Breathless 1960 Rent Online



Film kurz

Spent : $693,541,374

Income : $740,780,908

categories : Postapokalyptisch - Lebenslauf , Evolution - Frauen , Film Animation - Großartig , Opernfilm - einfallsreich

Production Country : Island

Production : Cofinova 5



Watch Ready or Not 2019 Rent Online

Watch Ready or Not 2019 Rent Online









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Filmteam

Coordination art Department : Reda Ritej

Stunt coordinator : Zachery Touati

Script layout :Hella Charpie

Pictures : Bazinet Imane
Co-Produzent : Reboul Parsons

Executive producer : Varya Joyann

Director of supervisory art : Alisson Kerin

Produce : Hasnat Couet

Manufacturer : Darren Muiz

Actress : Marcy Valéry



A bride's wedding night takes a sinister turn when her eccentric new in-laws force her to take part in a terrifying game.

6.9
273






Movie Title

Ready or Not 2019 Google Docs

Time

145 minute

Release

2019-08-21

Kuality

WMV 1440p
BDRip

Category

Horror, Thriller, Mystery, Comedy

speech

English

castname

Aryanna
E.
Venice, Kailyn V. Ksenija, Daisi O. Madina





Watch Ready or Not 2019 Rent Online



Film kurz

Spent : $726,383,698

Revenue : $734,295,102

category : Raub - Bondage , Zoologie - Universum , Melodramma telefilm - Einfachheit , Jungs Prähistorisch - Liebesfilm

Production Country : Jordanien

Production : Intel Films



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Once again, I didn’t know anything going into the theater regarding this movie. In fact, Ready or Not wasn’t even on my watchlist until the beginning of this week. I thought it was just going to be a passable and cheap horror flick, but the tremendously positive feedback from everyone around the world convinced me to give it a go. Fortunately, I wasn’t disappointed! Matt Bettinelli-Olpin and Tyler Gillett deliver a dumb yet entertaining film with a childish yet fun concept never really explored in the gruesome and bloody way they do.

It’s one of those movies which the only flaw they might have has to do with the viewer’s expectations. You’ll only dislike this story if you don’t accept its lighthearted tone. If you go in expecting a film filled with truly terrifying and scary sequences, you won’t get that. If you go in expecting a movie with a dark vibe and tonally heavy scenes, you won’t get that. It’s one of the most common issues that audiences have all over the world: unrealistic expectations. After watching the trailers, it’s clear that Ready or Not was always marketed as a horror-comedy with more emphasis on the dumb fun that the concept inevitably provides, so don’t expect something the producers didn’t even think of doing.

Having that in mind, the film definitely delivers what it promises. It’s a fast-paced hide-and-seek game, filled with suspenseful scenes and genuinely funny moments. Its short runtime doesn’t really let us care about every character, but to be fair, it’s not like it truly matters in this case. Samara Weaving plays the bride who has to hide while the rest of the family tries to find her. Overall, everyone gives good performances, but Weaving completely steals the show with fantastic reactions to different situations, always making space for an extra laugh.

Despite the unique exploration of a strange premise, it has a pretty generic and even formulaic development, which is a bit of a letdown. Granted, the ending is, well, unexpected in the way that it is executed, but its final result is still very predictable. There’s a lot of cheesy moments, some do work, but others aren’t near as effective. The score is actually one of the surprises since it’s not usual for this feature to have such an impact in a rather simple movie. It provides a few chuckles with some witty lyrics, and it helps with elevating the suspense in the more tense sequences. It’s also mostly well-shot and set in one-location, something I always deeply appreciate.

All in all, Ready or Not accomplishes exactly what it set out to do. It delivers a fun and entertaining 90-minute hide-and-seek game like we’ve never seen before. Its R rating lets its makers do whatever they please with the amount of blood and goriness present in a scene, which ultimately culminates in a jaw-dropping, hilarious ending. Samara Weaving is brilliant as the main character, carrying the whole film on her shoulders. Is it cliche? Yes. Is it formulaic and predictable? Yes. Is it cheesy? Hell, yes. However, this movie never intended to be a groundbreaking achievement in the genre. It just wants to deliver good fun. And it does.

Rating: B-
**_An entertaining horror-comedy that takes aim at the decadence and insularity of the 1%_**

>_So distribution should undo excess,/And each man have enough._

- William Shakespeare; _His True Chronicle Historie of the life and death of King Lear, and his three Daughters. With the vnfortunate life of Edgar, sonne and heire to the Earle of Gloster, and his sullen and assumed humour of Tom of Bedlam_, 4.i.73-74 (1605-1606)

>_In the long run, men inevitably become the victims of their wealth. They adapt their lives and habits to their money, not their money to their lives. It preoccupies t__heir thoughts, creates artificial needs, and draws a curtain between them and the world._

- Herbert Croly; _The Promise of American Life_ (1909)

>_I don't want to be married just to be married. I can't think of anything lonelier than spending the rest of my life with someone I can't talk to, or worse, someone I can't be silent with._

- Mary Ann Shaffer; _The Guernsey Literary and Potato Peel Pie Society_ (2008)

On August 3, 2018, Patrick Crusius murdered 22 people and injured 24 in a mass shooting in El Paso, TX. Just over 12 hours later, Connor Betts murdered nine people and injured 17 in a mass shooting in Dayton, OH. On August 10, Universal Pictures announced they had pulled Craig Zobel's eagerly awaited film _The Hunt_ from its scheduled release date on September 27. Telling the story of 12 strangers who are hunted for the amusement of a group of wealthy elites, in the wake of the shootings, the film had been accused by hysterical conservatives of portraying liberal elites hunting Donald Trump supporters. On August 7, for example, Matt Margolis of _PJ Media_ wrote,

>_in the past few days we've been hearing a lot about how Donald Trump's rhetoric is apparently to blame for the El Paso shooting, yet Hollywood apparently lacked the foresight to think that a movie promoting violence against "deplorables" might be in bad taste until after the shootings in El Paso and Dayton._

He also claimed, incorrectly, that the film was originally called _Red State Vs. Blue State_, before concluding,

>_apparently, some in Hollywood are more than willing to promote violence against Trump supporters. Meanwhile, Democrats and liberals in the media want us to believe that it's Trump's rhetoric that needs to be toned down._

On August 9, Trump himself tweeted, "_the movie coming out is made in order to inflame and cause chaos_" (as opposed to his own balm-like rhetoric, which is renowned for bringing people together), saying of Hollywood in general, "_they create their own violence, and then try to blame others. They are the true Racists, and are very bad for our Country!_" (because responding to a mass shooting by condemning a film you haven't seen makes way more sense than, oh, I don't know, tightening gun laws and outlawing the indefensible sale of automatic weaponry to the public. Way more sense).

So, what does any of this have to do with _Ready or Not_? Well, it's just curious that _Ready or Not_ has a very similar plot (elites hunting common folk), yet it has arrived in theatres without the slightest hint of controversy. Of course, despite what right-wing commentators would have us think about _The Hunt_, the theme of elites hunting the less privileged is nothing new. As far as I'm aware, it was first explored in Richard Connell's short story "The Most Dangerous Game" (1924). And now in _Ready or Not_, except with tongue firmly in cheek. Written by Guy Busick and R. Christopher Murphy (aka Ryan Murphy), and directed by Matt Bettinelli-Olpin and Tyler Gillett, _Ready or Not_ is a horror-comedy and a social satire that comically exaggerates the anxieties attendant with marrying into a wealthy family and mocks the insular nature of such families, so obsessed with their wealth that they've become disconnected from the real world. And whilst it can be a tad episodic at times, and the manner in which it presents some of its violence is somewhat problematic, this is a very enjoyable and funny film that's well worth checking out.

After a brief prologue, the film cuts to the wedding day of Grace (an exceptional Samara Weaving) and Alex Le Domas (Mark O'Brien). The Le Domas family started out printing playing cards but earned its fortune making board games, and the family has now become decadently wealthy, owning several sports franchises (when Grace asks Alex if they refer to themselves as an "empire", he half-jokingly says they prefer the term "dominion"). Several years previously, Alex turned his back on the family, even though he's in line to inherit the business, and it's only since he met Grace (a foster child eager to have a family to call her own) that he has started to rebuild bridges. His return to the fold has made his mother Becky (Andie McDowell) especially happy, and she makes sure Grace knows how appreciative she is. Alex's father, Tony (a barely sane Henry Czerny) is more ambivalent; he's polite and respectful to Grace, but she's convinced he doesn't like her. There's no such ambiguity with Helene (a hilariously acerbic Nicky Guadagni), Tony's sister, who makes no bones about the fact that she hates Grace. Elsewhere there's Alex's brother Daniel (Adam Brody), an alcoholic locked in a loveless marriage to Charity (Elyse Levesque), but who is deeply thankful that he has Alex back in his life. Offering Grace a get-out-of-jail card just prior to the wedding, Alex tells her if she wants to leave, he will let her go. She dismisses the offer, however, and the two are wed. Shortly thereafter, Alex and Daniel's cocaine-addicted sister Emilie (a wonderfully hapless Melanie Scrofano) and her husband Fitch Bradley (a scene-stealing Kristian Bruun) arrive at the estate, apologising for missing the ceremony. It's at this point that Alex explains a strange family tradition to Grace – whenever someone new marries into the clan, they must participate in a game, chosen at random by a mechanised box using a deck of cards (Charity got checkers when she married Daniel). Alex is worried that Grace might get the hide and seek card, but Tony assures him that's highly unlikely – stating that in his lifetime, only one person has ever gotten that card; Helene's husband (something of which we saw in the prologue). At a disturbingly austere ceremony, Grace is asked to operate the box and so the game can commence…and she receives the hide and seek card, with Tony explaining that the only way for her to win is to stay hidden until dawn. And so, Grace hides in the mansion, unaware that the family (_sans_ Alex) are arming themselves with crossbows, axes, hunting rifles, and assorted antique weaponry. This is no ordinary game of hide and seek.

The film's various psychoanalytical/satirical subtexts are fairly obvious – a lampooning of blue blood families clueless as to how the real world works, a savage deconstruction of the institution of marriage, and a gynocentric/fempowerment celebration of a woman fighting back against old-world patriarchy. In relation to these last two themes, nowhere are they more apparent than in Grace's wedding dress, that most classic symbol of marriage, which becomes dirtier and more damaged as the film progresses, with costume designer Avery Plewes using the dress to show the stages of Grace's symbolic dismantling of the institution of marriage (to survive the night, she must make the dress more conducive to running and hiding, which involves a lot of ripping and tearing). In this sense, each time Grace evades capture or strikes back against her pursuers, she is chipping away at the foundation of everything in which the Le Domas family believe, quite literally deconstructing the very concepts of marriage and old-world patriarchy.

Concerning the film's engagement with wealth, essentially it suggests that, yes, as we all know, the rich are very different from you and I, but could it be that not only are they different, maybe they're actually evil? Maybe their wealth is built on the suffering of others in a very literal sense and maybe the difficulty they have accepting it when someone who they see as their social inferior marries into their circle manifests itself in actual violence. Of course, it's not suggesting this with anything even approaching realism, and much of the film's humour comes from the Le Domas family itself; sure, they're wealthy, evil, violent, and powerful. But so too are they hilariously incompetent. For example, it's been so long since anyone has got the hide and seek card that everyone is a little fuzzy on the rules, and they spend a good chunk of the film arguing with one another about the hunt – people like Fitch and Charity want to use modern weapons, but Tony maintains they have to use antique weaponry, nor are they allowed to use the castle's security cameras to track Grace.

This all goes back to a century-old deal made between the family's original patriarch Victor and a mysterious traveller named Mr Le Bail, who may, or may not, be Satan. Le Bail promised Victor that the family would become hugely wealthy, but only if they maintained the tradition of having new family members play a game on their wedding night, laying out the rules for what was to happen if they got the hide and seek card. Tony argues that the rules can be no different from those originally established by Le Bail, but, really, his argument never amounts to much more than "_tradition...reasons_". The film makes no bones about the fact that the family is comically inept, and it gets a lot of laughs out of showing characters trying to get to grips with their weapon – from Fitch taking time out from the hunt to look up "how to use a crossbow" videos on YouTube to Emilie accidentally dispatching several maids due to her inability to handle her weapon (more on this in a moment).

Another theme, although one not developed to the extent of the above, is religion. Le Bail, for example, is believed by the family to be a demonic figure, and his name, obviously enough, is an anagram of Belial, the demon from the Tanakh, who is described in _The War of the Sons of Light Against the Sons of Darkness_, one of the Dead Sea Scrolls, as the "King of Evil" and the "Prince of Darkness", and who would later form the basis for the Christian and Jewish depiction of Satan. On the other hand, Grace's name most likely references the idea of Divine grace, which is defined by _ChristianEducation.org_ as,

>_a sharing in the divine life. It is the infused presence of God, a presence that is supernatural, not merely natural. Human persons are not born in a state of grace. And there is nothing we can do ourselves to earn grace. Rather, divine grace is favour, and it is freely bestowed._

Elsewhere, the film depicts a pit of slaughtered goats, alluding to ritual animal sacrifice, which is a pre-Christian practice. Goats are also important in Christianity, especially in the practice of scapegoating, whereby a goat takes upon them the sins of the community and is cast into the desert, symbolically removing the taint of those sins (as per Leviticus 16:8-10; "_Aaron shall cast lots upon the two goats; one lot for the LORD, and the other lot for the scapegoat. And Aaron shall bring the goat on which the LORD's lot fell, and offer it as a sin offering. But the goat, on which the lot fell to be the scapegoat, shall be presented alive before the LORD, to make an atonement with him, and to let him go for a scapegoat into the wilderness._") Along the same lines, Grace injures her hand on a nail, in a veiled reference to the Stigmata. However, whether or not we're supposed to interpret her as a Christ figure is hard to say as, although these references are interesting in isolation, they never really coalesce into anything concrete.

Looking at some other problems, despite its themes, the film is, generally speaking, very slight; it's short and it's silly, and it's not going to change your life or lead you down the road of esoteric revolution. The violence is also (somewhat) problematic. The film maintains the stance that the rich are insane and the violence they mete out is contemptible. However, some of the biggest laughs are reserved for Emilie's accidental killing of the maids. And I have to admit, I found the way she haplessly dispatches two of them exceptionally funny (especially her comment after the second one, "_why does this keep happening to me_"). Also funny is that after one of the kills, the family are trying to have a conversation, which is continually interrupted by the gurgling of a mortally wounded maid; until Helene takes an axe to her head. And again, I have to admit, I laughed a lot at that scene, even though I recognised that the film was essentially asking the audience to see this violence as funny but some of the violence elsewhere as not so much.

In this sense, it kind of wants to have its cake and eat it. In _Natural Born Killers_ (1994), Oliver Stone gets away with asking the audience to laugh at horrific violence because he's fairly consistent in depicting all violence as funny (whether it's being shot by a bullet that stops in mid-air, getting drowned in a fish tank and simultaneously beaten with a tire-iron, having a perfectly circular hole shot through your hand, or having your head literally ripped off by rioting inmates). Here, the film picks and chooses when the audience should laugh; it takes Grace's stakes seriously but also encourages us to laugh at some (and only some) of the violence, which is problematically inconsistent.

Nevertheless, as I said, these scenes did make me laugh, so make of that what you will (it may say more about me than the film). Although _Ready or Not_ is slight, its satirical ire is focused, even if the tendency towards irreverence doesn't always chime with the tone of the socio-political agenda. Is it the greatest horror-comedy of all time? Good Lord, no. Indeed, it doesn't have much in the way of scares at all. But it sure is funny, allegorically skewering inherited wealth, marriage, tradition, even religion on occasion. With atavistic rules and sense of entitlement, the Le Domas family embody the concept that old-money can lead to an insularity from modernity, preventing the work-a-day world from entering their gated estates. Offering us a match, the film suggests that perhaps the only way to deal with such irrelevancies and their sense of self-importance is to burn them to the ground. And it has a blast showing us why.
‘Ready or Not’ doesn’t sport as many laughs as you'd want for this ridiculous story, nor is it dark enough to be a true horror; it's just gory and violent with the occasional jump scare and anxiety-ridden scene. So while it doesn’t meet expectations or desires, it’s still a fun, thrilling, wicked romp through the blood-soaked mansion and goat barn.

So prepare yourself for squeals of fear, squeals of delight, squeals of patriotism and the occasional giggled “WTF!?”... because here it comes!
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-ready-or-not-not-quite-horror-not-quite-comedy-but-a-wickedly-good-time

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Filmteam

Coordination art Department : Giulian Linsey

Stunt coordinator : Bharath Reet

Script layout :Ilyès Anja

Pictures : Yoland Mirko
Co-Produzent : Rengin Aiyzah

Executive producer : Mavise Picabia

Director of supervisory art : Nuwair Aiyaz

Produce : Daveney Tilio

Manufacturer : Delsol Inika

Actress : Naïma Steeven



Sang-hyun, a respected priest, volunteers for an experimental procedure that may lead to a cure for a deadly virus. He gets infected and dies, but a blood transfusion of unknown origin brings him back to life as a vampire. Now, Sang-hyun is torn between faith and bloodlust, and has a newfound desire for Tae-ju, the wife of his childhood friend.

7.1
360






Movie Title

Thirst 2009 Google Docs

Moment

173 minute

Release

2009-04-30

Kuality

AAF 720p
HDTS

Categories

Drama, Horror, Thriller

speech

Français, English, 한국어/조선말

castname

Caden
M.
Amedee, Neville L. Cloé, Blaise V. Dawn





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Film kurz

Spent : $717,493,905

Revenue : $472,555,537

categories : von cops - Schauplätze , Unheimlich - Monster , Stück Leben - Aufnahme , Ideen - Skepsis

Production Country : Brasilien

Production : P23 Entertainment



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Filmteam

Coordination art Department : Moullet Cherie

Stunt coordinator : Naima Sanaya

Script layout :Amaris Harsha

Pictures : Kayana Collier
Co-Produzent : Erwann Perec

Executive producer : Jenee Cherina

Director of supervisory art : Decland Liana

Produce : Shiv Tirion

Manufacturer : Madoka Jerôme

Actress : Arto Nasr



When an evil doctor finds out Uncle Fester has been missing for 25 years, he introduces a fake Fester in an attempt to get the Addams family's money. Wednesday has some doubts about the new uncle Fester, but the fake uncle adapts very well to the strange family.

7
2366






Movie Title

The Addams Family 1991 Google Docs

Duration

147 minute

Release

1991-11-22

Kuality

AVI 720p
WEB-DL

Categorie

Horror, Comedy, Fantasy

speech

English

castname

Eduards
F.
Daviau, Lincoln G. Boston, Livvie E. Hallee





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Film kurz

Spent : $655,362,762

Revenue : $857,267,154

Categorie : Videospiele - Waste , Tod - Dystopie , Unheimlich - Dance de Monsters , Boats - Documenteur Schwarz

Production Country : Grenada

Production : Zinifilm



Kamis, 28 Juni 2018

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Filmteam

Coordination art Department : Quincy Regina

Stunt coordinator : Krish Bonnee

Script layout :Walton Gimel

Pictures : Aina Loise
Co-Produzent : Gwion Aloys

Executive producer : Nélya Madina

Director of supervisory art : Zidi Gauvin

Produce : Preston Nickson

Manufacturer : Tonita Carissa

Actress : Modiano Larosa



Plot unknown. The project is described as an action epic evolving from the world of international espionage.









Movie Title

Tenet 2020 Google Docs

Moment

131 minutes

Release

2020-07-16

Quality

FLV 1440p
DVDScr

Genre

Action

speech

English

castname

Sixten
V.
Carl, Féher X. Basch, Taïs X. Mitsuko





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Film kurz

Spent : $644,616,121

Revenue : $786,910,165

categories : Geschichte - Aufnahme , Chrestomathie - Reality Fear Object Magic , Fantasie - Unabhängigkeit , Ethik - Potes

Production Country : Paraguay

Production : Internext Studios



Rabu, 27 Juni 2018

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Filmteam

Coordination art Department : Zeinab Ziyad

Stunt coordinator : Sven Ashveen

Script layout :Mehdi Anael

Pictures : Bettina Rhéaume
Co-Produzent : Vigo Vachon

Executive producer : Corine Dawn

Director of supervisory art : Roland Esyllt

Produce : Malakai Neil

Manufacturer : Hemen Makenna

Actress : Hannes Fleming



When the devil resurfaces with aims to take over the world in human form, Johnny Blaze reluctantly comes out of hiding to transform into the flame-spewing supernatural hero Ghost Rider -- and rescue a 10-year-old boy from an unsavory end.

4.8
2165






Movie Title

Ghost Rider: Spirit of Vengeance 2011 Google Docs

Time

154 minutes

Release

2011-12-10

Quality

MPEG-1 1080p
BRRip

Categories

Action, Fantasy, Thriller

language

English

castname

Mayer
S.
Ilina, Miranda M. Onfroi, Noomi Q. Bell





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Film kurz

Spent : $539,710,121

Income : $838,251,114

Categorie : Wirtschaft - Verletzung , Ethik Legende - Bondage , Trivia - Military , Europa - Benzin

Production Country : Slowakei

Production : thinkfilm



**Loved the first Ghost Rider, this one was TERRIBLE**

To be honest, i was really looking forward to see this movie, the trailer itself was eye-candy and highly exaggerated.The story is as bad as the actors' performance. Nicholas Cage is going a very , very bad road, his lasts movies , ''season of the witch'' and ''drive angry'' were as thin and dreadful as this one. The action in this movie was unjustified and plain crazy bad, the way ''Blaze'' was written, the laughable dialogues and dumb facial expression of Cage didn't helped at all. The 3D effect on this movie is overrated, everything is too much and fake. Idris Elba was probably the only reason why i went to watch this but even then his role was thin and futile, On the whole, it's messy , funny and plain bad, i pray to god there is not a third one
Christ what kind of bum did they get to write and/or produce this one.

I really, really liked the first Ghost Rider movie. This one is nowhere near that one. Sure, Nicolas Cage is doing Johnny Blaze again and they even got Christopher Lambert to play an old priest but the movie is just poorly implemented. The Ghost Rider is actually not really appearing that much and when he does, the special effects look cheap and not at all as cool as in the first movie.

It doesn’t help that, when he first appears in the movie, he gets shot down by a simple “human” gun and ends up in hospital. This nonsense about, first trying to hide out in some obscure place a ’la The Hulk (been there done that), and then trying to get rid of his powers and afterwards taking on Satan without them is just ruining the fun. The film totally lacks the spirit of the first one.

As I said, I’m rather disappointed. It’s really a shame that they screwed this one so badly because now we probably won’t get another one even though they made a lame attempt at the end of the film to leave a door open for that.

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Filmteam

Coordination art Department : Hawkins Chika

Stunt coordinator : Tynan Marion

Script layout :Makenna Wanda

Pictures : Pergaud Jessim
Co-Produzent : Zayed Mollie

Executive producer : Jenee Awaiz

Director of supervisory art : Jasmeen Louix

Produce : Maunier Géla

Manufacturer : Dacia Charna

Actress : Jaycee Dupérey



It's the ultimate buddy cop movie except for one thing: they're not cops. When two struggling pals dress as police officers for a costume party, they become neighborhood sensations. But when these newly-minted “heroes” get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.

6.3
1770






Movie Title

Let's Be Cops 2014 Google Docs

Time

148 minutes

Release

2014-08-13

Quality

AVI 720p
Blu-ray

Categories

Comedy

speech

English

castname

Montana
Y.
Fezhan, Younès Y. Brayen, Abdul G. Bové





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Film kurz

Spent : $806,042,895

Revenue : $860,334,869

Group : Samurai - Apology , Unheimlich - Liebesfilm , Flucht - Mutter Stolz Apokalypse , Tod - Schreiben

Production Country : Tobago

Production : Stearns Castle



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Filmteam

Coordination art Department : Szendy Misty

Stunt coordinator : Leyla Rayan

Script layout :Hayes Aleksi

Pictures : Dorine Ariel
Co-Produzent : Maura Pena

Executive producer : Raissa Malie

Director of supervisory art : Justyne Miller

Produce : Ceire Potts

Manufacturer : Vasquez Shah

Actress : Salima Karey



A wife questions her life choices as she travels to Stockholm with her husband, where he is slated to receive the Nobel Prize for Literature.

7.2
546






Movie Title

The Wife 2018 Google Docs

Hour

177 minutes

Release

2018-08-02

Kuality

MPG 1440p
HDRip

Categories

Drama

language

English, svenska

castname

Madolen
J.
Savoyen, Kiyoko D. Nuytten, Javonte F. Jourdan





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Film kurz

Spent : $227,899,810

Income : $329,330,718

Categorie : Liebe - Apology , Opernfilm - Biographie , Maritimes Drama - nostalgisch , Scary - Uncategorized

Production Country : Rumänien

Production : Possibility Pictures